The evolution and development of "slow film" aesthetics in China: time, meditation and poetic expression
Journal: Region - Educational Research and Reviews DOI: 10.32629/rerr.v6i9.2845
Abstract
As a unique film aesthetics, slow film has experienced the process of development from introduction, imitation to localization. By sorting out the changing trajectory of slow film aesthetics in China, this paper focuses on the three core dimensions of time, meditation and poetic expression, and discusses how Chinese slow films absorb and draw on Western aesthetics while combining Chinese philosophy and aesthetic tradition, to form a unique aesthetic style with Chinese characteristics.
Keywords
slow film; variable development; core analysis
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[2] Li M, Yang YF, Xiong RG. 2020. Research on aesthetic change of Chinese literary films. Art Technology, 24: 38-39.
[3] Ding YP. 2018. The evolution of Chinese film creation and its development strategy in the forty years of reform and opening up-- the significance of contemporary film creation from the complexity of film themes. Contemporary Film, 7: 4-9
[4] Jiang QL. 2017. The history, current situation and future of Chinese film--on the development and change of realistic film aesthetics. A New Film, 2: 29-35.
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