Empathy for the "other" in the films of Yim Soon-rye from the perspective of auteur theory

Journal: Region - Educational Research and Reviews DOI: 10.32629/rerr.v6i5.2166

Yao SUN

Beihua University; Cheongju University

Abstract

Yim Soon-rye is a director with a distinct thematic awareness and vivid visual expression, often hailed as the most representative female director in South Korea. Her control over visual treatment and narrative, along with the era-specific and realistic significance displayed in her works, led the "Korean Film Calendar" to note that her "film world is not confined to the term 'female'". Throughout Yim Soon-rye's films, there is a profound empathy for the "other" in society and a hopeful anticipation for the "other's" aspirations, radiating the brilliance of warm realism. This paper aims to provide a comprehensive analysis and interpretation of the outstanding South Korean female director Yim Soon-rye from the perspective of auteur theory. It examines three aspects: the gaze on the "other" from her life experiences, the portrayal of the "other" in her visual works, and the care for the "other" in her creative style.

Keywords

Yim Soon-rye; auteur theory; focus on the "other"; empathy for the "other"

References

[1] Wang QF, Chen QQ. 2018. Dialogue with the "other": reconstructing the narrative discourse of "Chinese stories". Film Review, 16. https://www.fx361.com/page/2018/0310/4865511.shtml
[2] Yim Soon-rye --Namuwiki (namu.wiki) https://namu.wiki/w/%EC%9E%84%EC%88%9C%EB%A1%80
[3] Kim KW, Slow C. 2020. Korean Film Director 1. Seoul: Published by Le Monde Korea.
[4] Sun Q. 2020. Research on Korean Film Strategies Since the 1990s. Social Sciences Academic Press.

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