The Research and Application of Xinjiang Folk Oil Painting
Journal: Region - Educational Research and Reviews DOI: 10.32629/rerr.v6i2.1734
Abstract
Xinjiang is the region with the largest number of ethnic minorities in China and the autonomous region with the largest area under the jurisdiction of China. It is this vast territory that gives birth to the living characteristics—“living in a large, small community”—of Xinjiang people, and gives birth to the diversified forms of Xinjiang folk culture. The folk culture of Xinjiang has laid a solid material foundation for the development and innovation of oil painting. The development of folk oil painting in Xinjiang is closely related to the innovation of oil painting techniques, and will certainly add a strong and heavy color to the history of painting in Xinjiang. The practice and innovation of integrating folk culture into oil painting makes the localization development of Chinese oil painting play an epoch-making significance, and has practical value for enriching the research of artistic historical materials.
Keywords
Xinjiang, folk culture, folk oil painting innovation, oil painting techniques application
Full Text
PDF - Viewed/Downloaded: 4 TimesReferences
[1] Chen Tongmu. The Watchman of the Years -- Folk oil painting artist Tian Feng [J]. Western China. 2015; (32): 92-93.
[2] Si Wenjing. (2020) Research on visual language of performance oil painting on minority subjects in Northwest China [D]. Master’s Thesis, North Minzu University, Yinchuan.
[3] Zhang Liping, Zou Jinhua. On the influence of Chinese folk culture on the creation of Oil painting in the New period [J]. Art Review. 2017; (18): 41-42.
[4] Song Yinghui. (2018) Research on the creation of oil paintings on folk customs of Uygur people in Xinjiang [D]. Master’s Thesis, China University of Mining and Technology, Xuzhou.
[5] Cao Ying. Appreciation of Folk Oil Painting [J]. Journal of Beijing Institute of Education. 2010; 24(03): 2.
[2] Si Wenjing. (2020) Research on visual language of performance oil painting on minority subjects in Northwest China [D]. Master’s Thesis, North Minzu University, Yinchuan.
[3] Zhang Liping, Zou Jinhua. On the influence of Chinese folk culture on the creation of Oil painting in the New period [J]. Art Review. 2017; (18): 41-42.
[4] Song Yinghui. (2018) Research on the creation of oil paintings on folk customs of Uygur people in Xinjiang [D]. Master’s Thesis, China University of Mining and Technology, Xuzhou.
[5] Cao Ying. Appreciation of Folk Oil Painting [J]. Journal of Beijing Institute of Education. 2010; 24(03): 2.
Copyright © 2024 Xiaowei Li

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License