Cultural Symbol Analysis and Artistic Value Exploration of Hakka Dance Props
Journal: Journal of Higher Education Research DOI: 10.32629/jher.v5i5.3063
Abstract
The purpose of this research paper is to delve into the profound cultural symbolism and artistic value inherent in the dance props used by the Hakka people, which are an integral component of their traditional culture. This study aims to explore the multifaceted significance of these props by examining their historical roots, their role within the social fabric of Hakka society, and their contribution to the artistic landscape of the community. The paper is structured into four primary sections: an introduction that sets the stage for the discussion, an in-depth analysis of the cultural symbolism embedded within the dance props, a detailed examination of their artistic value, and a conclusion that synthesizes the findings to illuminate the intricate relationship between these props and their cultural significance. The research findings underscore the close connection between the Hakka dance props and their cultural symbolism, revealing how these objects not only serve as a means of preserving the rich heritage of the Hakka people but also play a pivotal role in enhancing the aesthetic appreciation and spiritual fulfillment of the community. Through this comprehensive analysis, the paper aims to contribute to a deeper understanding of the Hakka dance props as a unique and valuable aspect of the Hakka cultural identity.
Keywords
Hakka dance props, analysis of cultural symbols, artistic value
Full Text
PDF - Viewed/Downloaded: 0 TimesReferences
[1] MUCI LI.Research on Guangdong She Culture from the Perspective of Symbols and Signs[J].Advances in Social Science and Culture,2024,6(5).
[2] Riyang Li,Song Qi,Bingjie Sun.The Symbolic Expression and Innovative Design of"Intangible Cultural Heritage"Elements:From Traditional Symbols to Modern Cultural Creations[J].The Art&Design Research,2024,5(3).
[3] Carola Manolino.Cultural semiotics for mathematical discourses[J].Semiotica,2024,2024(259):61-77.
[4] Hongxi Ye.Unveiling Identity:Dian Di La Hai's Identity and Semiotic Play in"How to Become an International Supermodel"on Douyin[J].Journal of Social Science and Humanities,2024,6(7):59-65.
[5] Jiali Liu,Lin Tang,Huiting Lin,Yiping Qiu.The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics[J].Arts Studies and Criticism,2024,5(3).
[6] Rui Zhao.Exploring the Functions of Calligraphy in Contemporary Cultural Perspective[J].Journal of Global Humanities and Social Sciences,2024,5(7).
[7] Mengna Shao,Liuwei Hou.Research on the Fusion Path of Traditional Cultural Symbols and Modern Design in Central Plains:Taking Zhuxian Town Wood-Block New Year Pictures As An Example[J].Art and Design,2024,7(5).
[8] Sun Juhyung,Lasser Sarah,Lee Sun Kyong.Understanding emojis:Cultural influences in interpretation and choice of emojis[J].Journal of International and Intercultural Communication,2023,16(3):242-261.
[9] TAO Zhe,LUO Kanglong.Interpretation of Cultural Symbols of Dong Wind and Rain Bridge[J].Translating China,2020,6.0(2.0).
[10] Dominika Byczkowska Owczarek.Dance as a Sign:Discovering the Relation Between Dance Movement and Culture[J].Kultura i Spoleczenstwo,2020,63(3):63-74.
[2] Riyang Li,Song Qi,Bingjie Sun.The Symbolic Expression and Innovative Design of"Intangible Cultural Heritage"Elements:From Traditional Symbols to Modern Cultural Creations[J].The Art&Design Research,2024,5(3).
[3] Carola Manolino.Cultural semiotics for mathematical discourses[J].Semiotica,2024,2024(259):61-77.
[4] Hongxi Ye.Unveiling Identity:Dian Di La Hai's Identity and Semiotic Play in"How to Become an International Supermodel"on Douyin[J].Journal of Social Science and Humanities,2024,6(7):59-65.
[5] Jiali Liu,Lin Tang,Huiting Lin,Yiping Qiu.The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics[J].Arts Studies and Criticism,2024,5(3).
[6] Rui Zhao.Exploring the Functions of Calligraphy in Contemporary Cultural Perspective[J].Journal of Global Humanities and Social Sciences,2024,5(7).
[7] Mengna Shao,Liuwei Hou.Research on the Fusion Path of Traditional Cultural Symbols and Modern Design in Central Plains:Taking Zhuxian Town Wood-Block New Year Pictures As An Example[J].Art and Design,2024,7(5).
[8] Sun Juhyung,Lasser Sarah,Lee Sun Kyong.Understanding emojis:Cultural influences in interpretation and choice of emojis[J].Journal of International and Intercultural Communication,2023,16(3):242-261.
[9] TAO Zhe,LUO Kanglong.Interpretation of Cultural Symbols of Dong Wind and Rain Bridge[J].Translating China,2020,6.0(2.0).
[10] Dominika Byczkowska Owczarek.Dance as a Sign:Discovering the Relation Between Dance Movement and Culture[J].Kultura i Spoleczenstwo,2020,63(3):63-74.
Copyright © 2024 Yi Xu
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License