Journal: Arts Studies and Criticism DOI: 10.32629/asc.v7i4.5431
Abstract
This paper begins with the aesthetic paradigm and narrative logic of Romantic prose poetry, taking the creative core of Schumann's classic piano cycles as the research object.explores the points of convergence between Schumann's musical narrative in his piano cycles and the aesthetics of Romantic prose poetry, and elucidates the artistic value and characteristics of his instrumental works' poetic narrative.
Keywords
Romantic prose poetry; Schumann; piano cycle
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[2] Xinghui Zhang. "An In-depth Analysis of the Integration of Emotional Expression and Performance Techniques in Schumann's Piano Cycle Kinderszenen from the Romantic Period." China National Expo, 2025, (21): 125-127.
[3] Luying Wang. "Exploring the Artistic Characteristics and Performance Interpretation of Schumann's Piano Cycle Papillons." Yellow River Sound, 2025, (21): 96-99.
[4] Ying Wang, Wei Liu. "On the Modernity Background of British Romantic Literature." Masterpiece Review, 2025, (32): 80-82.
[5] Ke'er Li, Nan Gan. "The Fantasy Elements in the First Movement of Schumann's Fantasie in C Major, Op. 17." Yellow River Sound, 2026, (5): 48-53.
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