Research on the Evolution of Cultural Symbols of "Zuogongliu" from Border Guard Image to Community Consciousness

Caifeng Song

doi:10.32629/asc.v7i3.5349

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v7i3.5349

Caifeng Song

Xinjiang Applied Vocational Technical College, Kuitun, Xinjiang, China

Abstract

Willow, especially the "Zuogong Willow", which was widely planted in the northwest during Zuo Zongtang's Western Expedition in the Qing Dynasty, was constructed as a composite symbol with rich cultural and political implications in the poetry and subsequent historical writing of reclamation and garrison. This paper focuses on the texts from the Qing Dynasty to modern times, and uses the methods of text reading, historical context analysis and cultural semiotics to systematically sort out the evolution track of "Yangliu" and "Zuogongliu" derived and integrated in a specific historical period.

Keywords

Zuo Gongliu's image of garrisoning the border of the Chinese nation community consciousness cultural symbol

Full Text

PDF - Viewed/Downloaded: 6 Times

References

[1]Ming He, Wenli Lyu. The construction of the Chinese nation community from the perspective of cultural semiotics [J].Journal of Yunnan Normal University (Philosophy and Social Sciences Edition), 2020,52 (02): 1-12.
[2]Xulian Li, Xiangmin Zheng. Research on cultural tourism image based on symbolic interaction theory-Taking Fujian Tulou as an example [J].Journal of Yunnan Normal University (Philosophy and Social Sciences Edition), 2017,49 (06): 103-111.
[3]Kuifu Zhao. On the formation and influence of the image of " willow " in the Book of Songs [J].Northwest Normal University Journal (Social Science Edition), 2002,39 (03): 18-23.

Citing this article:

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License