In recent years, a number of Reform and opening-up TV dramas set against the backdrop of China’s reform and opening up have emerged on television screens. Featuring entrepreneurs as their primary narrative subjects, these dramas depict the historical chapter of reform and opening up by reconstructing the people’s innovative and entrepreneurial practices in the economic sphere. This trend not only responds to the new era literary and artistic requirement to “Tell China’s stories well,” but also provides the audience with an immersive thematic education. Taking this type of work as its research object, this paper analyzes its narrative strategies along three dimensions: the construction and identification of entrepreneurial identity, the construction of real and symbolic spaces, and the historiography of reform and opening up.