Study on the Development of Music and Multi-Ethnic Integration in Southwest China

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i6.4733

Xinyu Pan, Gang Cheng

Sichuan Conservatory of Music, Chengdu, Sichuan, China

Abstract

Southwest China, with unique geography and historical role as a "corridor" for multi-ethnic migration, forms a distinctive musical culture. Taking history as the axis, this paper views it as a "musical melting pot" to explore music development and integration. Its music history is not linear but "relational" centered on "integration", driven by state governance, ethnic migration, commerce and religion. Sorting this out deepens understanding of China’s pluralistic music pattern and enlightens contemporary music development.

Keywords

history of southwest Chinese music, musical integration, multi-ethnic music, historical ethnomusicology, cultural corridor

References

[1] Fei, X. T. (1989). The pluralistic unity pattern of the Chinese nation [J]. Journal of Peking University (Philosophy and Social Sciences Edition), (04), 1-19.
[2] Yang, M. K. (2007). On the musical culture of ethnic minorities in Southwest China [M]. Beijing: People's Music Publishing House.
[3] Wang, Y. H. (2005). Methodology for the study of Chinese ethnic music [M]. Fuzhou: Fujian Education Publishing House.

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