The Depiction of Justice and Daily Life in Dirk Bouts' "The Justice of Emperor Otto III": A Window into the Northern Renaissance
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i6.4722
Abstract
This article explores the artistic significance and cultural implications of Dirk Bouts' painting The Justice of Emperor Otto III, situating it within the context of the Northern Renaissance. The study aims to challenge the traditional art historical hierarchy that prioritized the Italian Renaissance by emphasizing the originality and thematic depth of Northern European art. Through formal analysis and contextual interpretation, the paper examines Bouts' use of realism, symbolism, and ethical allegory to depict themes of justice, divine intervention, and social order. The research identifies Bouts' stylistic evolution from devotional subjects to complex moral narratives embedded in urban and architectural realism. It further analyzes the painting's portrayal of class distinctions, civic identity, and public justice. The study concludes that Bouts' work exemplifies the Northern Renaissance's unique fusion of visual detail and ethical meaning, asserting its intellectual and artistic autonomy within European art history.
Keywords
dirk bouts, northern renaissance, visual ethics, iconography, Netherlandish
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[9] Janson J. The History of Perspective. Essential Vermeer. 2015. Available from: https://www.essentialvermeer.com/technique/perspective/history.html [Accessed 25 October 2024].
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