The Multiverse Narrative in Rick and Morty: Non-Linear Temporality and Spatial Construction in Animation
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i3.4135
Abstract
Rick and Morty represents a groundbreaking fusion of science fiction and philosophical inquiry through its innovative multiverse narrative framework. This animated series transcends conventional storytelling by employing quantum physics principles, particularly the "Many-Worlds Interpretation," to construct a complex yet coherent system of nonlinear timelines and interdimensional travel. The show's narrative brilliance lies in its ability to balance theoretical scientific concepts with dark humor and existential themes, creating a unique viewing experience that challenges traditional perceptions of time, space, and reality. Through its "Central Finite Curve" concept and dimensional portals, the series not only explores the scientific possibilities of parallel universes but also uses this framework to examine profound questions about identity, morality, and the nature of existence. The animation medium proves particularly suited for this ambitious narrative approach, allowing for visual representations of complex theoretical physics that would be impractical in live-action formats. By analyzing the show's narrative structure through interdisciplinary lenses of media studies, quantum physics, and postmodern philosophy, this study demonstrates how Rick and Morty serves as both entertainment and intellectual stimulation, pushing the boundaries of what animated storytelling can achieve while reflecting contemporary society's anxieties about meaning and purpose in an increasingly complex world.
Keywords
Rick and Morty; multiverse; nonlinear narrative; animation medium; postmodernism; quantum physics
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[2] Zhang, Y., & Wang, J. (2021). The expression of surrealism in the animated film Rick and Morty. Daguan, (02), 109-110.
[3] Cheng, Y. (2019). The manifestation of absurdity in American adult animation Rick and Morty within postmodern culture. Dazhong Wenyi (Popular Art & Literature), (08), 144.
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