Seeing Language and Sound: The Linguistic and Musical Qualities in the Works of Bruce Nauman
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3163
Abstract
This article examines the pivotal role of musicality in Bruce Nauman's artistic practice, highlighting how rhythm, repetition, and sound intertwine with language to create immersive experiences. Nauman's works, ranging from video installations to neon sculptures, illustrate a deep exploration of auditory and visual relationships. Influenced by avant-garde composers, his manipulation of sound, both intentional and incidental, challenges traditional boundaries and enhances the viewer's engagement. By analyzing the rhythmic structures in Nauman's art, this discussion reveals how musicality transforms meaning and invites emotional responses, asserting its significance in contemporary art.
Keywords
Bruce Nauman, musicality, sound, language, immersive experience
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[1]Christopher Cordes. Talking with Bruce Nauman. in Bruce Nauman Prints 1970-89, ed. Castelli Graphics: New York, Lorence Monk Gallery: New York, Donald Young Gallery; Chicago, 1989, p25.
[2] Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. Translated by C.K. Ogden. London: Routledge, 1922. p68.
[3] Plagens, Peter. Bruce Nauman: The True Artist. New York: Phaidon Press, 2014.
[2] Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. Translated by C.K. Ogden. London: Routledge, 1922. p68.
[3] Plagens, Peter. Bruce Nauman: The True Artist. New York: Phaidon Press, 2014.
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