Exploration of the Relationship between Form and Spirit in Chinese Freehand Figure Painting
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i5.3090
Abstract
This article explores the relationship between “form” and “spirit” in Chinese freehand figure painting, and analyzes their importance and interaction in artistic expression. By sorting out the traditional cultural background, the ideological connotation and artistic value carried by freehand figure painting are revealed in this paper, aiming to provide a new perspective for further research in this field.
Keywords
freehand figure painting; form; spirit; artistic expression; cultural connotation
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[1] Tang Dai. Imagery Reproduction of Freehand Figure Painting in Blue and White Porcelain [D]. Jingdezhen Ceramic University, 2023.
[2] Wang Xinyu. Imagery Expression in Contemporary Chinese Freehand Figure Painting Works[J]. Art Review, 2023, (09): 64-66.
[3] Yu Caixiu. Exploration on the Imagery Expression of Contemporary Chinese Freehand Figure Painting [J]. Beauty and the Times (Middle), 2022, (08): 24-26.
[2] Wang Xinyu. Imagery Expression in Contemporary Chinese Freehand Figure Painting Works[J]. Art Review, 2023, (09): 64-66.
[3] Yu Caixiu. Exploration on the Imagery Expression of Contemporary Chinese Freehand Figure Painting [J]. Beauty and the Times (Middle), 2022, (08): 24-26.
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