Implicit Narrative in Sound and the Role of Music in the Emotional Flow of Film

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i5.2946

Tzu-Sheng Hsu

Independent Short Film Studies, Film and Media Studies, Music Studies, University of Manchester, Manchester, UK

Abstract

This paper explores the multifaceted role of music in film, positioning it as an essential narrative device that extends beyond its traditional function as background accompaniment. By examining the intersection of narratology and the psychology of music, the study reveals how music acts as an implicit narrator, shaping the emotional and cognitive engagement of the audience. The analysis delves into the ways in which music modulates the emotional flow of a film, reinforces or subverts narrative elements, and contributes to the overall storytelling architecture. Through an exploration of implicit narrative techniques, including the use of leitmotifs and sound design, the paper argues that music is integral to the construction of cinematic meaning, providing additional layers of interpretation and emotional depth. The study concludes that music's narrative power is fundamental to creating a cohesive and immersive cinematic experience, warranting further research into its complex interactions with film narrative.

Keywords

film music; narrative structure; emotional engagement

References

[1]Ann-Kristin Herget. “On music’s potential to convey meaning in film: A systematic review of empirical evidence.” Psychology of Music (2019). 49(1):21-49.
[2]Alyssa d'Artenay. “The Influence of Film Music on Emotion.” (2019). Capstone Projects and Master's Theses, 2019: 559.
[3]Chenyue Zhuang. “The Roles of Music in Films.” Journal of Education, Humanities and Social Sciences (2023) 23: 596-600.
[4]Yu Sun. “On the artistic function of film music based on narratology.” Frontiers in Art Research (2021) 3(5): 86-89.

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