A Study on Wu'an Nuo Opera Costumes from the Perspective of Iconography

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i4.2741

Wenyan Li

United Front Work Department of Kangbao County Committee, Zhangjiakou 076650, Hebei, China

Abstract

The discovery of Wuan Nuo Opera has rewritten the assertion that "there is no Nuo in Jiangbei". Its existence shows the survival and development of Central Plains Nuo, and provides a complete and rich model for studying the essence and evolution of Central Plains Nuo. Wuan Nuo Opera costumes are an important local cultural heritage of my country. These image remains contain rich cultural values such as material, spiritual and institutional values, involving history, folklore, religion, art and other fields. In-depth research on Wuan Nuo Opera costumes has important practical significance. This article attempts to start with the Panofsky iconography theory research method, and interpret and analyze the theme, composition, color and pattern of Wuan Nuo Opera costumes from three levels, so as to explore the cultural value of regional local color paintings and clarify the trajectory of the integration of social culture and secular culture.

Keywords

Wu'an Nuo opera costumes, iconographic perspective, cultural value

References

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