The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i4.2678
Abstract
In Thomas Hardy's novel Jude the Obscure, the character Sue Bridehead represents the "new woman" of the late 19th century. However, despite her initial defiance, Sue ultimately succumbs to societal pressures and conforms to a more traditional path. This paper will explore the reasons behind Sue's submission, the role of marriage and domesticity in the novel, and the lasting impact of Sue Bridehead on representations of women in literature.
Keywords
new woman; Jude the Obscure; autonomy
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[2]Walby, S. (1989) Theorizing patriarchy. Sage Publications, Ltd., 23, 213-234.
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[2]Walby, S. (1989) Theorizing patriarchy. Sage Publications, Ltd., 23, 213-234.
[3]Stevens, H. (2008) Henry James and Sexuality. Cambridge University Press, Cambridge, 20-44.
[4]Hardy, T. (2008) Jude the Obscure. OUP Oxford, Oxford, 208-312.
[5]Ingham, P. (2003) Authors in Context: Thomas Hardy. Oxford University Press Inc., New York, 180-197.
[6]Yu, Jing (2013) From Self-Exploration to Self-Negation: On the Image of "Sue" in Jude the Nameless from the Perspective of Existentialism. Journal of Chongqing Three Gorges University, 29, 86-89.
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