A Literature Review on the Theme of Female Music in the Accompanying Marriage Songs in Jiahe County, China
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i3.2445
Abstract
The accompanying marriage songs in Jiahe County (hereinafter referred to as JHAMS) are rare female music examples in Chinese folk wedding rituals. They are particularly precious and special for Chinese music research, which does not pay much attention to gender research. This paper uses a qualitative systematic literature review method to search, screen, classify, analyse, and compare the existing gender research literature on JHAMS. It is found that the proportion is only 10.53%, and the research topics are mainly "female psychology" and "female roles." It can be seen that further increasing and deepening the gender research on JHAMS has important exploratory significance and academic value.
Keywords
JHAMS, Female music, qualitative systematic literature review, gender research
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[3]He, W.J. (2018). The Jiahe Marriage Song in Jiahe County under the Changing Marriage Patterns of the Han Nationality. Yihai (02), 35-37.
[4]He, W.J. (2019). Embodying Female Roles in the Accompanying Marriage Song in Jiahe County [Master's Thesis, Hunan Normal University]. https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD201902&filename=1019671581.nh.
[5]James, R. (2020). Music and Feminism in the 21st Century. Music Research Annual, 1, 1-25.
[6]Jiang, D. (2012). A Preliminary Study on the Stylized Features of Hunan Jiahe Wedding Songs. Music Creation (01), 133-135.
[7]Koskoff, E. (2014). A feminist ethnomusicology . Chicago, IL: University of Illinois Press.
[8]Li, D. (2005). A Preliminary Study on Hunan Jiahe's Wedding Song. Journal of Tianjin Conservatory of Music (03), 71–80+42. doi:10.16274/j.cnki.cn12–1280/j.2005.03.014.
[9]Li, D., & Chen, C.(2010).A Comparison between Jiahe Songs for Accompanying Wedding in Hunan and Tujia Ten-Sister Song. Journal of Hubei University for Nationalities (Philosophy and Social Sciences) (02),11-14. doi:10.13501/j.cnki.42-1328/c.2010.02.014.
[10]Liu, H. (2018). Recognition and recognition: Three "new girls" who did not marry out crying — A re-observation and analysis of the marriage customs of crying marriage in western Hubei and a discussion on the musical attributes of "crying marriage song". Chinese Musicology (02),65-72.
[11]Merriam, A. P. (1977). Definitions of" comparative musicology" and" ethnomusicology": An historical-theoretical perspective. Ethnomusicology, 21(2), 189-204.
[12]Nettl, B. (2010). The study of ethnomusicology: Thirty-one issues and concepts. University of Illinois Press.
[13]Song.F.F.(2011).A survey of Feminist Criticism in American's Western Music Research in the Late of the 20th Century[Doctoral Dissertation, Fujian Normal University].https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CDFD1214&filename=1012267407.nhSun, G,Z. (2003). The Academic Trend of Contemporary Western Musicology. Music Art (Journal of Shanghai Conservatory of Music) (03), 41-49+4. doi:10.19359/j.cn31-1004/j.2003.03.005.
[14]Sun, G,Z. (2003). The Academic Trend of Contemporary Western Musicology. Music Art (Journal of Shanghai Conservatory of Music) (03), 41-49+4. doi:10.19359/j.cn31-1004/j.2003.03.005.
[15]Tawfik, G. M., Dila, K. A. S., Mohamed, M. Y. F., Tam, D. N. H., Kien, N. D., Ahmed, A. M., & Huy, N. T. (2019). A step by step guide for conducting a systematic review and meta-analysis with simulation data. Tropical medicine and health, 47, 1-9.
[16]Wen, X. (2009) Research on Folk Music of the Wedding Song of Jiahe in Hunan [Master's Thesis, Hunan Normal University] .
https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD2009&filename=2009138152.nh.
[17]Wang, W.W. (2008). From music matters to female psychology [Master's thesis, Xiamen University .
https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD2009&filename=2009079442.nh.
[18]Wrazen, L. (2015, September). A Feminist Ethnomusicology: Writings on Music and Gender. In Ethnomusicology Forum (Vol. 24, No. 3, pp. 468-470). Routledge.
[19]Xiao, M. (2009). The female psychology is reflected in the musical form of Jiahe's wedding song. Science and Education Wenhui (First Ten-Day Issue) (31), 273.
[20]Yang, J.L., & Liu, L.F. (2015). The Expression of Female Psychology in Folk Marriage Custom Culture — A Study on the Wedding Song of Jiahe Companion. Journal of Hengyang Normal University (04), 104-106. doi:10.13914/j.cnki.cn43-1453 /z.2015.04.023.
[21]Yang, M. (2009). Anthropology of Music in the 21st Century: International Trends and Chinese Practise. Journal of Xinghai Conservatory of Music (04), 1–19+123.
[22]Zheng Su& Huang Wan.(2009).I and Music Anthropology: The Most Concert Topic of the moment (IX) — Interview with Researcher Zheng Su.Music Art (Journal of Shanghai Conservatory of Music)(04),127-131.doi:10.19359/j.cn31-1004/j.2009.04.014.
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