The Integration Characteristics and Cultural Connotations of Folk Songs in the Middle and Upper Reaches of the Yellow River

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i3.2437

Mingzhe Li

Northwest Minzu University, Lanzhou 730030, Gansu, China

Abstract

The Yellow River is known as the "mother river" of Chinese civilization, which not only nurtures the Chinese nation but also has unique cultural characteristics. Folk songs, as an important carrier of inheriting traditional Chinese culture, embodies the wisdom of the Chinese people and provide strong impetus for promoting social development. The middle and upper reaches of the Yellow River connect Qinghai-Tibet Plateau, the Inner Mongolian Plateau, Hetao Plain, Loess Plateau and other regions, forming an overall combination, organically integrating nomadic civilization and agricultural civilization, then a unique culture of the Yellow River basin has been formed. Along this cultural belt, cultural integration among multiple ethnic groups in various regions has developed a unique musical and cultural pattern in the Yellow River Basin. Therefore, studying the integration characteristics and cultural connotations of folk songs in the middle and upper reaches of the Yellow River is of great significance for inheriting Yellow River culture and promoting traditional Chinese culture of folk songs.

Keywords

Yellow River culture; Yellow River folk songs; cultural channels; multidimensional integration

Funding

Northwest Minzu University 2024 Graduate Research and Innovation Project (Project Number: 31920240127-8)

References

[1] Wang Wenjing. Research on the Cultural Connotation and Digital Inheritance and Protection of Anhui North Folk Songs from the Perspective of All Media [J]. Journal of Nanchang Normal University, 2023,44 (01): 77-81.
[2] Zhang Zhengxi. Cultural Value and Inheritance Path of Folk Song Art in the Yellow River Basin: A Review of "Research on Folk Song Art in the Yellow River Basin" [J]. People's Yellow River, 2022, 44 (09): 169.
[3] Liu Ying. The Characteristics of the Integration of Mongolian and Han Folk Songs on both sides of the Yellow River in Inner Mongolia and the Changes in Modern Living Environment [J]. Artist, 2020, (09): 75.
[4] Ulanjie. Classification, Social Function, and Aesthetic Connotation of Mongolian Children's Folk Songs [J]. Chinese Musicology, 2019, (02): 41-59.
[5] An Qi. Exploring the Artistic Characteristics of Wuhe Folk Songs from the Perspective of Transitional Integration [J]. Journal of Chifeng University (Chinese Philosophy and Social Sciences Edition), 2016,37 (08): 212-213.

Copyright © 2024 Mingzhe Li

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License