Research on Surname Totem Art from the Perspective of Taoist Aesthetics
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i2.2258
Abstract
This article analyzes the surname totem from the Taoist aesthetic ideas, analyzes the aesthetic value of artistic expression research, and discusses the relationship between Taoist aesthetics and surname totem art. By comparing the core concepts, it reveals the commonality of Taoist aesthetic thought and surname totem in cultural inheritance and artistic creation, and then explores the new innovative enlightenment of Taoist aesthetic thought to art design, which helps to deepen the understanding of traditional culture. At the same time, it expands the new possibility of blending Taoist aesthetics and surname totem in contemporary art, and provides a new perspective and inspiration for artistic creation.
Keywords
surname totem, Taoist aesthetics, commonality, artistic expression, innovation enlightenment
Funding
Fujian Province College Student Innovation and Entrepreneurship Training Program (202310399018X)
Full Text
PDF - Viewed/Downloaded: 2 TimesReferences
[1] Zhou Yuancheng, Xia Qunfang, et al. The origin of the evolution of Han surnames is briefly described [J]. Journal of Hunan City University, 2005 (01):75-80.
[2] Yu Xuebin. Review and thinking on the study of totem in China under the perspective of totem theory [J]. Northern Cultural Relics, 2022, (05):87-93.
[3] Gao Shan, Zhu Yanling, Zhu Qiujuan, et al. Chinese traditional totem culture from the perspective of design aesthetics [J]. Art and Technology, 2019, 32 (12):132.
[4] Li Zhen. Study on Dong totem Art [D]. Kunming University of Science and Technology, 2018.
[5] Xiao-xi he. Interpretation of Chinese characters and totem worship [J]. Journal of Mudanjiang Normal University (Philosophy and Social Sciences edition), 2006, (06):77-78.
[6] Gwok Wa Cheung. On the Yin-Yang theory of pre-Qin Taoism [J]. Journal of Xiangtan University (Social Science edition), 1992, (02):87-91.
[7] Chen Guying. Notes and studies of Lao Zi [M]. Zhonghua Book Company, 1984.
[8] Tu teng. The embodiment of the aesthetic thought of "whether there is reality and real" in ceramic modeling and decorative design [J]. Chinese Ceramics, 2022, 58 (05):113-116.
[9] Jin-jin zhang. Application and embodiment of the traditional aesthetic thoughts of Confucianism and Taoism in art design [J]. Jin Classical Wenchuang, 2023, (06):86-88.
[10] Zhang Mo kun. Laozi's Taoism — the great wisdom of returning to nature [M]. Hong Kong: Feitian Culture Press, 2001.
[2] Yu Xuebin. Review and thinking on the study of totem in China under the perspective of totem theory [J]. Northern Cultural Relics, 2022, (05):87-93.
[3] Gao Shan, Zhu Yanling, Zhu Qiujuan, et al. Chinese traditional totem culture from the perspective of design aesthetics [J]. Art and Technology, 2019, 32 (12):132.
[4] Li Zhen. Study on Dong totem Art [D]. Kunming University of Science and Technology, 2018.
[5] Xiao-xi he. Interpretation of Chinese characters and totem worship [J]. Journal of Mudanjiang Normal University (Philosophy and Social Sciences edition), 2006, (06):77-78.
[6] Gwok Wa Cheung. On the Yin-Yang theory of pre-Qin Taoism [J]. Journal of Xiangtan University (Social Science edition), 1992, (02):87-91.
[7] Chen Guying. Notes and studies of Lao Zi [M]. Zhonghua Book Company, 1984.
[8] Tu teng. The embodiment of the aesthetic thought of "whether there is reality and real" in ceramic modeling and decorative design [J]. Chinese Ceramics, 2022, 58 (05):113-116.
[9] Jin-jin zhang. Application and embodiment of the traditional aesthetic thoughts of Confucianism and Taoism in art design [J]. Jin Classical Wenchuang, 2023, (06):86-88.
[10] Zhang Mo kun. Laozi's Taoism — the great wisdom of returning to nature [M]. Hong Kong: Feitian Culture Press, 2001.
Copyright © 2024 Jinyun Liu, Zhenzhen Li, Haiyan Xu, Huimin Huang
![Creative Commons License](http://licensebuttons.net/l/by-nc/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License