Interpretating and Performing the Musical Styles of Selected Chinese Art Songs Based on Mao Zedong's Poetry

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i2.2195

Xiang Gao1, Yap Jin Hin2

1. Sultan Idris Education University, Tanjung Malim, Malaysia; Dalian University, Dalian, Liaoning, China
2. Sultan Idris Education University, Tanjung Malim, Malaysia

Abstract

Mao Zedong's poetry significantly influenced Chinese vocal music in the 20th century and has been reflected in the creation of many Chinese Art songs. These songs are highly regarded in the Chinese music industry and are considered great works of Chinese literature and art. However, there is a lack of discussions on Chinese Art Songs based on Mao Zedong's poetry. This research aims to interpret and perform the musical styles of selected Chinese art songs based on Mao Zedong's poetry. This study encompasses three research objectives. The first is to identify the characteristics inherent in Chinese Art Songs based on Mao Zedong's poetry. The second objective involves the interpretation of the technical aspects of Mao Zedong's poetry in the context of Chinese art songs. Lastly, the third objective aims to perform selected Chinese art songs based on Mao Zedong's poetry in the form of recitals. This study will be conducted through the practice-based research framework, wherein textual and non-textual documentation will be utilized to report on the practice. By exploring the integration of Mao Zedong's poetry into art songs, this study provides a distinct approach to interpreting and conveying his poetry's emotions, themes, and ideas.

Keywords

musical styles in Chinese Art songs, musical styles of Vocal Performance in Chinese art songs, research in Vocal Performance, Mao Zedong's poetry, Chinese art songs based on Mao Zedong's poetry

References

[1]Candy, L., & Edmonds, E. (2018). Practice-Based Research in the Creative Arts:Foundations and Futures from the Front Line, Leonardo, 51(1), 63-69.
[2]Chen, S. X. (2015). The development of Chinese folk vocal music from the singing of Chinese art songs based on Mao Zedong's poetry works. Northern Music, 35(21), 14.
[3]Djahwasi, H. R., & Zaharul Lailiddin Saidon. (2020). Artistic Research: Artistic as Research vs Artistic as Method. International Journal of Academic Research in Business and Social Sciences.10(11), 292-309.
[4]Djahwasi, H. R., & Zaharul L. Saidon. (2022). Writing Artistic Research Report on Western Classical Music Performance: The Important Aspects to Be Voiced Out by A Performer Researcher. International Journal of Academic Research in Business and Social Sciences,12(12),58-72.
[5]Leng, Y. (2022). The Aesthetic Embodiment of Vocal Performance Art. Art Grand View, (26), 19-21.
[6]Wei, M. (2016). Opposition and Unity of Mao Zedong's Poetic Theory. Journal of Chongqing Institute of Science and Technology (Social Science Edition), (04), 61-63.
[7]Wang, J. X. (2019). Mao Zedong's Poems and the Distance. Modern Middle School Students(Junior HighSchool Edition), (17),20-23.
[8]Wang, J. X. (2020). Some of the "most" of Mao Zedong's poetry creation, dissemination, and research. Party History Wenyuan, (04), 44-48.
[9]Yang (2021). The Characteristics and Singing Analysis of Chinese Art Songs. Art Grand View,(30), 28-30.
[10]Zhang, Y. Z. (2021). The value and application of Chinese art songs in vocal music teaching for senior teachers. House of Drama, (35), 173-174.

Copyright © 2024 Xiang Gao, Yap Jin Hin

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License