Navigating the Future Landscape: Probing the Mechanism and Feeding Model of AI within Theatrical Arts
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i1.1859
Abstract
This scholarly article explores the application and impact of artificial intelligence (AI) in the realm of theatrical art creation, providing an analysis of the current state, challenges, and future development of the integration of AI and theatre. Through comprehensive case studies of various theatrical works both domestically and abroad, the article delineates four major “feeding” models of AI in theatre creation, discussing the specific applications and effects of these modes within the sphere of artistic creation. The symbiotic relationship between human creators and AI during the creative process is emphasized, envisioning the potential of AI as an innovative collaborator advancing theatrical artsalongside human creators. Despite present challenges confronting AI in theatrical creation, such as emotional depth and data dependency, the potential demonstrated in enhancing creative efficiency and expanding the scope of artistic expression is noteworthy.
Keywords
artificial intelligence (AI), theatrical arts, AI application
Funding
2023 Jiangsu Academy of Educational Sciences Researching Project: Research on innovative teaching methods of integrating artificial intelligence and performance courses (B/2023/01/147)
Full Text
PDF - Viewed/Downloaded: 2 TimesReferences
[1]Mondal, B., 2020. Artificial intelligence: state of the art. Recent Trends and Advances in. Artificial Intelligence and Internet of Things, pp.389-425.
[2]Pizzo, A., Lombardo, V. and Damiano, R., 2019. Algorithms and interoperability between. drama and artificial intelligence. TDR/The Drama Review, 63(4), pp.14-32.
[3]Rosa, R., Dušek, O., Kocmi, T., Mareček, D., Musil, T., Schmidtová, P., Jurko, D., Bojar, O., Hrbek, D., Košťák, D. and Kinská, M., 2020. THEaiTRE: Artificial intelligence to write a theatre play. arXiv preprint arXiv:2006.14668
[4]Zhang, Y., 2023. Analysis of Transformation of Dance Teaching Model Equipped with AI. Technology. Frontiers in Educational Research, 6(31).
[5]Zylinska, J., 2020. AI art: machine visions and warped dreams (p. 181). Open Humanities. Press.
[6]Power, C., 2008. Presence in play: A critique of theories of presence in the theatre (Vol. 12). Brill.
[7]Gloor, P.A., Araño, K.A. and Guerrazzi, E., 2020. Measuring audience and actor emotions at a theater play through automatic emotion recognition from face, speech, and body sensors. In Digital Transformation of Collaboration: Proceedings of the 9th International COINs Conference (pp. 33-50). Springer International Publishing.
[2]Pizzo, A., Lombardo, V. and Damiano, R., 2019. Algorithms and interoperability between. drama and artificial intelligence. TDR/The Drama Review, 63(4), pp.14-32.
[3]Rosa, R., Dušek, O., Kocmi, T., Mareček, D., Musil, T., Schmidtová, P., Jurko, D., Bojar, O., Hrbek, D., Košťák, D. and Kinská, M., 2020. THEaiTRE: Artificial intelligence to write a theatre play. arXiv preprint arXiv:2006.14668
[4]Zhang, Y., 2023. Analysis of Transformation of Dance Teaching Model Equipped with AI. Technology. Frontiers in Educational Research, 6(31).
[5]Zylinska, J., 2020. AI art: machine visions and warped dreams (p. 181). Open Humanities. Press.
[6]Power, C., 2008. Presence in play: A critique of theories of presence in the theatre (Vol. 12). Brill.
[7]Gloor, P.A., Araño, K.A. and Guerrazzi, E., 2020. Measuring audience and actor emotions at a theater play through automatic emotion recognition from face, speech, and body sensors. In Digital Transformation of Collaboration: Proceedings of the 9th International COINs Conference (pp. 33-50). Springer International Publishing.
Copyright © 2024 Hua Feng
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License