Media Montage Interpretation of Immersive Art Space

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i3.932

Xiaomin Ren

School of Fine Arts, Shaanxi Normal University, Xi’an, Shaanxi, China

Abstract

Immersive art is the most vigorous new art form in contemporary art, as well as the active practice of emerging media in the art field. No matter under any historical background, all art forms have the existence attribute of time and space, and immersive art is no exception. Compared with the "object" media in modern art, immersive art constructs its existence mode through invisible digital media. For immersive art, one difficulty it has to overcome is "how to express the meaning of the feeling". Media is not only an important tool to realize "speech", but also "speech" itself. What kind of "will" needs the cooperation of different media or among different media. In immersive art, the media is equivalent to the lens language in the film, and how the artist realizes the purpose of immersing the audience also needs the montage way of thinking, that is, how to select and combine various media to complete the artistic work. In different immersion spaces, media always plays a magical role. It is not only the language of art but also the art itself, not only the tool of artists' creation but also the intermediary connecting audiences and works.

Keywords

immersive art, space, art space, medium

References

[1] Mihalyi Csikszentmihaly. Flow: The Psychology of Optimal Experience[M].New York:Harper Collins,1990.
[2] Murray,Janet Horowitz. Hamlet on the Holodeck[M].New York:The Free Press,1997.
[3] Heim,Michael. Virtual Realism[M].New York:Oxford University Press,1998.
[4] Fernie,Kate,and Julian D.Richards. Creating and Using Virtual Reality: A Guide for the Arts and Humanitiies[M].Oxford:OxbowBooks,2003.
[5] McQuire,S. Networked cities and the future of public space[M].Cambridge:Polity press.2001.
[6] Lefebvre,Henri. The Production of Space[M].Oxford:Blackwell,1991.
[7] Paul,Christiane. Digital Art[M].New York:Thames&Hunson(World of Art),2003.
[8] Fernando Dominguez Rubio and Elizabeth B. Silva,Materials in the Field:Object-trajevtories and Object-positions in the Field of Contemporary Art[J]Cultural Sociology,2013,7(2):175.

Copyright © 2022 Xiaomin Ren

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License