Construction of Urban Landscape in Films by Ning Hao

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i2.904

Suzhen Bai, Wenwen Pang

Northwest Normal University, Lanzhou 730070, Gansu, China

Abstract

As a new young director, Ning Hao has created a series of miracles with low-cost and high box office, and each work produced unexpected results with new visions among the audience, which is the concentrated embodiment of of the director's unique artistic temperament, known as "director with unique ability" in the industry. From connotation to extension, his works are permeated with the strong tension of surprise. The personality based discourse based on his unique characteristics, such as focuses on sensitive topics as the film clips in shooting, cult expression of audio-visual language, extreme rhetoric of film space, discussion on human nature in post-modern context, is constantly rewriting the solidified cognition of film ontology. Therefore, this paper takes films by Ning Hao as an example to extract the urban landscape in his film space for in-depth analysis with comprehensive explanation on the urban landscape in his works from multiple perspectives, such as construction mode, existence state and expression form.

Keywords

Ning Hao, cult expression, postmodern, urban landscape, construction

Funding

2021 Young Teachers Research Ability Enhancement Program (Project No.NWNU-SKQN2021-33); Cultural Inheritance And Innovation Strategy Research Project of Intangible Cultural Heritage Animation Drama, Interior Decoration Engineering Renovation Project

References

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[2] Mari Currie, Post-modern Narrative Theory[M]. Translated by Ning Yizhong. Beijing: Peking University Press; 2003: 22.
[3] Ning Hao, Zheng Dongtian, Jia Leilei, Yin Hong. Crazy Racer[J]. Contemporary Film, "New Work Review", 2009; 3.
[4] Tian Zhaoyao. Discussion on Eisenstein's Rational Montage Theory[J]. The Artists. 2004: 77.

Copyright © 2022 Suzhen Bai, Wenwen Pang

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