On the Return Journey to the Picturesqueness

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i1.691

Yuhao Huang

Zhejiang Gongshang University, Hangzhou 310000, Zhejiang, China

Abstract

This paper mainly discusses Shu Wang's architectural space — Fuchunshan Museum, which is an umbrella term for three places: Gongwang Art Museum, Gongwang Museum and Gongwang Archives. It combines the traditional picturesque viewing mode with the construction of architectural space. Explored from the perception of landscape, scenery and the body, the passage aims to find the impact of the landscape painting on the construction of local architectural sites, space experience and body perception. Then, through the picturesque architectural space design, the author hopes to pass on the expression of space artistic conception in traditional painting, thus providing some reference for local architectural design.

Keywords

observation method, sense, scene framing, architecture, nature

References

[1] (France) by Roland Barthes; translated by Tang Mingjie. The Empire of Symbols [M]. Beijing: Renmin University of China Press, 2018: 67-117.
[2] Shu Wang. Building a house [M]. Changsha: Hunan Fine Arts Publishing House, 2016: 222-250.
[3] Xin Wang. Picturesque View [M]. Shanghai: Tongji University Press, 2015: 32-56.
[4] Talking about the multi-dimensional design and expression of rural public facilities — Taking the design of the Shenjia Cultural Corridor in Tonglu Ethnic Village as an example. Yuhao Huang[J]. Jushe, 2021(03):91-93.

Copyright © 2022 Yuhao Huang

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