Comment on the Dance Kang Gu Xian Yin in Tibetan Gala

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i1.689

Ning Mao

Tibet University, Lhasa 850000, Tibet Autonomous Region, China

Abstract

The main melody, a literary and artistic work Kang Gu Xian Yin in the 2021 Spring Festival and Tibetan New Year Gala (hereinafter referred to as "Tibetan Gala") shows the happy and beautiful life of the Tibetan people today in a new form of song and dance, shows the prosperity of new China, and tells the Tibetan people's infinite gratitude to the Communist Party of China. Therefore, this paper analyzes the artistic characteristics of the work from four aspects: the theme of the work, the structure of the work, the vocabulary of dance and its lyrics, and allows the audience to further understand its cultural connotation during appreciation of the beauty and entertainment.

Keywords

theme, structure, vocabulary, scheduling, lyrics

References

[1] Zhou L. On the three contributions of Petipa to Russian classical ballet (in Chinese). Aesthetics. 2010; (8):110-112.
[2] Xu Y. China Reading Weekly (the 19th edition). 2012 Apr 4: One is the child of the divine law. After one come two, after two come three, after three come all things.
[3] Liu J. An explanation of "the mother of art" (in Chinese). Dance. 1998; (3): 46.

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