Slaying the Monsters of Racism: A Geertzian Reading of Night of the Living Dead

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v1i3.236

Mengxi Chen

University of Southern California, Los Angeles, CA, U.S.

Abstract

Religion and culture are interact with each other, and by the definition of Clifford Geertz, rituals can be expressed by quite a lot of ways in art. No one can doubt that in our world we are surrounded by religious symbols, which represent themselves via paintings, musics and movies. In this article, the author wants to elaborate how the horror movie, this unique movie genre, worked in illustrate social issues of civil rights movements of 1960s. In Night of the Living Dead, the zombies represent the middle class racism and the complacency about racism, which are  indifferent and bloodthirsty.  The dynamic process of killing the zombies presents the rituals of the U.S. that the heroes always conquer the evil. On the other hand, the evil always stands for the shortcoming of humans. The fighting between the righteous and the evil never stops.

Keywords

horror movie, religious ritual, social issues, civil rights movement, racism

References

[1] Firth R. Elements of Social Organization. London and New York: Greenwood Press; 1951.
[2] Sanjek D. Twilight of the Monsters: The English Horror Film 1968-1975. Film Criticism. 1991; 16(1/2): 111-126.
[3] Ahlstrom Sydney E. The Radical Turn in Theology and Ethics: Why It Occurred in the 1960's. Annals of the American Academy of Political and Social Science. 1970; 387(1): 1–13.
[4] Pals Daniel L. Nine Theories of Religion. New York : Oxford University Press; 2014.

Copyright © 2020 Mengxi Chen

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