On the Basic Requirements and Problems of Piano Performance Technology

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v1i1.171

Jiayi Mao

The University of Leeds

Abstract

This article focuses on the analysis of the basic requirements of piano performance technology, and the author believes that the formation of piano performance technology mainly has three parts: slow training, reading scores and coordination. The relationship between piano performance technology and music performance is a dialectical unity. Secondly, this article analyzes the problems in the use of piano performance technology from the perspective of teaching and performance, focusing on the three aspects of touch keys, pedals, and arpeggios.

Keywords

piano performance technology, basic requirements, touch key, pedal, arpeggio

References

[1] Yao Chuansong. The formation of piano performance technology. Qilu Realm of Arts. 2011; (05): 28-30.
[2] Feng Jian. Several Problems in Practicing Piano-playing Techniques. Hundred Schools in Arts. 2011; (08): 410-412.
[3] Zhou Weimin. Morphological analysis of piano performance technology. Chinese Music. 2007; (04): 155-158.
[4] Chen Lina. Basic requirements and problems of piano performance technology. Great Stage. 2012; (07): 51-52.
[5] Zhang Yaqing. Piano music and piano performance technology. Song of the Yellow River. 2015; (10): 91.
[6] Guo Lanlan. Basic problems of piano performance technology. Piano Artistry. 1999; (01): 30-31.

Copyright © 2020 Jiayi Mao

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License