A Study on the Innovation Mechanism of Ecological Connotation Based on Soundscape Perception
Journal: Architecture Engineering and Science DOI: 10.32629/aes.v6i3.4353
Abstract
Under the background of "double take" planning reform, aiming at the ecological connotation that is limited to visual aesthetic and ecological function, introducing the theory of acoustic landscape and to extract the sound from the dimension of awareness "subjective listening", "subjective perception" and "subjective listening derivative" triple awareness in the process of evolution of thinking iteration of the ecological value. Then as a theoretical basis to build based on the above the physical form of visual and ecological function of ecological connotation of the innovation mechanism, namely: the field of innovation mechanism, personality innovation mechanism, the artistic dimension innovation mechanism. In order to provide a reference for the construction of ecological quality under "urban double repair". Under the background of "double take" planning reform, in view of the limited to the visual aesthetic and ecological connotation of ecological function first, introducing the theory of acoustic landscape and to extract the sound from the dimension of awareness "subjective listening", "subjective perception" and "subjective listening derivative" triple awareness in the process of evolution of thinking iteration of the ecological value. Then as a theoretical basis to build based on the above the physical form of visual and ecological function of ecological connotation of the innovation mechanism, namely: the field of innovation mechanism, personality innovation mechanism, the artistic dimension innovation mechanism. In order to provide a reference for the construction of ecological quality under "urban double repair".
Keywords
soundscape perception; ecological connotation; ecological value; innovation mechanism
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[4] Truax B. Handbook for Acoustic Ecology (World Soundscape Project) [M]. Vancouver: A R C Publications, 1978:100-150.
[5] Li Guoqi. Soundscape Research and Soundscape Design [D]. Beijing: Tsinghua University, 2004:34-42.
[6] Carles José Luis, Barrio Isabel López, de Lucio José Vicente. Sound Influence on Landscape Values [J]. Landscape and Urban Planning, 1999(04):191-200.
[7] Yuan Xiaomei, Wu Shuoxian. Soundscape Construction of Chinese Classical Gardens [J]. Architectural Journal, 2007(02):70-72.
[8] Zhou Xiaodi, Shen Yang, Xiao Fan. From Object to Field: A Cultural Landscape Protection and Integration Strategy [J]. Chinese Landscape Architecture, 2011,27(04):4-9.
[9] Halbwachs M. Les Cadres Sociaux de la Mémoire [M]. Paris: Presses Universitaires de France, 1925.
[10] Zerubavel E. Time Maps: Collective Memory and the Social Shape of the Past [J]. Chicago: The University of Chicago Press, 2003.
[11] Guo Beibei, Yang Xuhong, Jin Xiaobin, Zhou Yinkang. A Review of the Composition and Analysis Methods of Ecological Flows [J]. Acta Ecologica Sinica, 2015,35(05):1630-1639.
[12] Ye Lang. On Artistic Conception [J]. Literary and Art Studies, 1998(01):16-21.
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