麦吉尼斯戏剧《看阿尔斯特子弟兵挺进索姆河》中北爱尔兰士兵的创伤与身份失落

Journal: Educational Research DOI: 10.12238/er.v3i10.3301

刘书羽

Abstract

弗兰克﹒麦吉尼斯的代表作《看阿尔斯特子弟兵挺进索姆河》是当代少有的,以爱尔兰作家身份跨界描写北爱尔兰一战经历的作品,在二十世纪爱尔兰剧坛中享有重要地位。本文以创伤理论为切入点,分析戏剧的创伤叙事特征,探寻主角的个体创伤与身份失落背后所展现的北爱民族的集体创伤与文化身份失落,并结合历史文化背景解读作家的创作意图。该剧最初在爱尔兰上演向观众展现北爱人的创伤,是化解南北冲突,弥合历史创伤的有益尝试。

Keywords

弗兰克﹒麦吉尼斯;一战;北爱尔兰;创伤叙事;文化身份

References

[1] Balaev,M. Trends in Literary Theory[J].Mosaic,2008(2):131-52.
[2] Beiner,G. Between Trauma and Triumphalism:The Easter Rising,the Somme,and the Crux of Deep Memory in Modern Ireland [J].Journal of British Studies,2007(2):366-389.
[3] Caruth,C.Ed.Trauma:Explorations in Memory [M]. Baltimore and London: The Johns Hopkins University Press,1995.
[4] Graham,A.The Battle of the Somme in Ulster memory and identity [J].PoliticalGeography,2002(7):881-904.
[5] Herron,T.Dead Men Talking:On Frank McGuinness’s Observe the Sons of Ulster Marching towards the Somme [J].Eire-ireland,2004(1):136-162.
[6] Hill,Jacqueline.Art Imitating War? Observe the Sons of Ulster Marching Towards the Somme and its Place in History [J].Études irlandaises,
[7] Jeffery,K.Ireland and the Great War[M].Cambridge:CambridgeUniversity
[8] Kiberd,D.Frank McGuinness and the Sons of Ulster [J].The Yearbook of English Studies,2005(1):297.
[9] Langer,L.L.HolocaustTestimonies: The Ruins of Memory [M].New Haven: Yale University Press,1991.

Copyright © 2020 刘书羽

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License