Awakening the Micro-history of Urban Cultural Development — a Research Method of Autoethnography
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i1.697
Abstract
In this autoethnographic project, I use the saved photos as the starting point to record the community life in my childhood, and the oral self-life experience as a research method to record my interaction with the architecture. In order to record how to use these experiences as inspiration to help me complete the thinking process of design projects, I will use micro-historical theory as the basis of project development and explore how to use architecture as a carrier to awaken the micro-history of urban development.
Keywords
autoethnographic, micro-history, experience
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[3]Ellis, C., 2004. The ethnographic I. Rowman Altamira, p.31.
[4]Ginzburg, C., Tedeschi, J. and Tedeschi, A., 1992. Cheese and the Worms. Penguin, p.20.
[5]Halbwachs, M. and Coser, L., 1992. On Collective Memory. University of Chicago Press, p.15.
[6]Ingold, T., 2007. Materials against materiality. Archaeological Dialogues, 14(1), p.5.
[7]Levi, G., 1992. On microhistory. [S.l.]: [s.n.], p.102.
[8]Rives, J., 1989. Book Review: Listening to History: The Authenticity of Oral Evidence. The Bulletin of Historical Research in Music Education, 10(2), p.116.
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[10]Tulving, E., 1984. Précis of Elements of episodic memory. Behavioral and Brain Sciences, 7(2), p.225.
[2]Denzin, N., 2006. Analytic Autoethnography, or Déjà Vu all Over Again. Journal of Contemporary Ethnography, 35(4), p.426.
[3]Ellis, C., 2004. The ethnographic I. Rowman Altamira, p.31.
[4]Ginzburg, C., Tedeschi, J. and Tedeschi, A., 1992. Cheese and the Worms. Penguin, p.20.
[5]Halbwachs, M. and Coser, L., 1992. On Collective Memory. University of Chicago Press, p.15.
[6]Ingold, T., 2007. Materials against materiality. Archaeological Dialogues, 14(1), p.5.
[7]Levi, G., 1992. On microhistory. [S.l.]: [s.n.], p.102.
[8]Rives, J., 1989. Book Review: Listening to History: The Authenticity of Oral Evidence. The Bulletin of Historical Research in Music Education, 10(2), p.116.
[9]Slater, A., 2014. Wearing in memory: Materiality and oral histories of dress. Critical Studies in Fashion & Beauty, 5(1), p.125.
[10]Tulving, E., 1984. Précis of Elements of episodic memory. Behavioral and Brain Sciences, 7(2), p.225.
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