A Comparative Study of the Aesthetic Characteristics of Buddhist Cave Image Art in the Tang and Song Dynasties
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i1.696
Abstract
The three major peaks of Chinese Buddhist cave art were in the Wei and Jin dynasties, the Tang dynasty and the Song dynasty, which formed different aesthetic characteristics due to different contexts. The Tang and Song dynasties represent two major peaks of Chinese Buddhist cave art, with the "open" of the Tang dynasty and the "introverted" of the Song dynasty, making the art of Buddhist cave art "Openness" and "restrained," "flamboyant" and "simple," "rich" and clear", "ideal" and "realistic" aesthetic characteristics are very different.
Keywords
Buddhist cave art, Tang-Song comparison, openness, introversion
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[2] Chen Yinke. The political history of the Tang Dynasty [M]. Shanghai: Shanghai Ancient Books Publishing House, 1997.
[3] Wang Ziyun. The History of Chinese Sculpture [M]. Changsha: Yuelu Book Club Press, 2005.
[4] Liang Sicheng. History of Chinese Sculpture [M]. Tianjin: Baihua Wenyi Publishing House, 2006.
[5] Zheng Liyong, Lin Songguang. An Experiment on the Characteristics of the Religious Consciousness of the Chinese People [J]. World Religious Studies, 1996(03).
[6] Cui Bin. Song Dynasty Buddhist Cave Statue Art in Yan'an Region [J]. Studies in Literature and Art, 2010(08):149-151.
[7] Shen Hongxing. Study on the open culture of Tang Dynasty society [D]. Northwestern University, 2005.
[8] Zhao Ruijuan. Secularization of Song Dynasty Buddha Sculpture [D]. Hebei Normal University, 2006.
[9] Zhang Yu. Exploring the Art of Chinese Buddhist Cave Statues [D]. Wuhan University of Technology, 2008.
[10] Song Shiji. Study on the secularization of stone carvings in Dazu Beishan[D]. Sichuan Academy of Fine Arts, 2017.
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